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My First Tango Story #1

7/10/2017

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Hi guys, happy to be back to the Tango Dancers Blog and yesterday on July 9th I announced on FB my new project within the Tango Dancers Blog.

"My First Tango" is a new series of 50 stories told by TANGO DANCERS on video about their early tango experience. See the details below.  Make your story unique!

Videos will be uploaded to the TANGO DANCERS Youtube channel.   #myfirsttangostory  We will try to publish interviews on a weekly basis, it also depends how many people will take part in the project and submit their stories.

Do SUBSCRIBE, LIKE, COMMENT and SHARE  the videos!!
Look forward as well to hearing about your stories from you.

The goal of the project is to HAVE FUN sharing these stories and connect to each other and also to raise awareness about Argentine Tango in a creative way and encourage people to give a try to this beautiful dance or at least to learn about traditional tango music and artists, performers, instructors :).

Right now we are inviting to collaborate on this project all instructors & dancers with 5+ years of experience to share their fun / interesting / unusual story from their first class or milonga or EARLY TANGO EXPERIENCE. 

It would be also great to hear from people who live in different parts of the world which will allow us to know more about tango and dancers in other places.

See my personal video message for you on the page:

http://www.tangodancersblog.com/my-first-tango.html

And below is the first story :). Big hugs to SIERRA who agreed to share her story with us. She is not only an amazing tango dancer but also a very inspiring African style dancer / instructor and a great person.

P.S. I will try to record soon a video with tips on how to take a video or yourself for this project. *** I am also looking for a special effects artist who can help to create an intro & outro for this project and blog. Contact me  to collaborate.

Have a great week & tell your story, be creative! :)

Warmly,
Tatiana ❤

#myfirsttangostory #tangodancersblog

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Addicted to Tango?

12/9/2013

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"Diagnosis is not the end but the beginning of practice."
(Martin H.Fischer)

So you think you are not addicted to tango? :)
Here is a chance to check this out!

Btw, if you've seen similar posts about tango addiction please post links to the website
Symphoms of a Tango Addict... (article)

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Tango Shoes - Comme il Faut reportage

8/10/2013

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It's hard to dance tango without proper shoes.  What kind of shoes will suit you it depends on many factors: type of feet, personal taste, dance floors you dance and practice on, price, accessibility and location... 

There are a few popular brands which most people have tried and many have come to come. Comme il Faut is for sure one of them. Enjoy this nice short documentary from Cool Hunting.

Cool Hunting Video Presents: Comme il Faut from Cool Hunting on Vimeo.

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Photographer Alexander Zabara (Russia)

7/22/2013

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"Mosaic of Impressions"
Interview & translation © Tatiana Balashova

Today I am glad to talk to a talented photographer from Russia - Alexander Zabara.
Q 1:  When was the first time you tried taking pictures and what inspired you? What was your
first camera?

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When I was a child I did not take any pictures, got my first still camera after I came back from the army. It happened by chance and the story (“destiny”) of that camera was kind of complex. It was a cult camera Lomo-CA, it had a long history of being passed from hands to hands and I can only guess what it had seen before it got into my hands. I took a lot of pictures on it and it is still on my desk.

The first subjects of inspiration were the city and nature. Actually, those two themes I’ve been shooting all my life. As far as tango photography goes, I came to that reflecting on the city as a live organism.  Also, it was the tango-project which pushed me towards my new project “Free Forest” which I’ve been working on during last years.
Q 2:  Did you have any training in photography or mostly learned through practice? What helped you to develop your photographic style and how can you define it?

It was way later after I had got my first photo camera when I decided to take up photography more seriously. After finishing art school and working in design area I took a professional course at the Moscow Academy of Photography. That education gave me a strong motivation in creativity. Of course, it’s not just through education but rather through trial-and-error learning that you can develop a vision, find subjects, plots and the way material can be presented. Practice forms you as an artist... As far as my own photography style goes, I find it a bit strange to talk about that, especially keeping in mind that I am shooting so diverse projects. My tango-project was just one of them. I do what I do. If someone is eager to give it a name, I don’t mind.

Q 3:  Who are your favorite photographers? (in general and also the ones who take pictures of  dance and tango?)  Are there any other artists that influenced your vision?

There are three photographers who each at their own time influenced how I see the world:  Henri Cartier-Bresson, Alex Webb and Gueorgui Pinkhassov. Also some particular  paintings, especially by French impressionists and William Turner had a big impact on me. Creative works of those who take pictures with tango did not really influence me.

Q 4:  What are your favorite genres in photography?

I’ve been always fond of and have respected what Magnum Photos photographers are doing, especially their genre and reportage photography. As for me I value much more what you can see and find rather than what you can make-up and design in photography.

 Q 5:   What do you think about contemporary photography? (Reportage, portrait, fashion, commercial…)

Well, what IS contemporary photography?   It’s what all photographers on earth are doing in the present time… Who would dare to comment on and evaluate such a variety?

… Can’t say that I am keeping a close eye on current trends in photography.  Naturally, I follow the news, and come across some pictures from time to time. The place, where photography is now, where we have instagram, social networks, that lightness of taking a “snap”, actually results in depreciation of photography as such. Contemporary means of communication give photography a role of meaningless paillettes which fly down through the garbage chute. And such tendency is seen in many works shown at miscellaneous competitions, presented at exhibitions of contemporary photography.

Photo images of many renowned artists, including those who take prizes, are often very emasculated (“over-refined”) works, which have only consuming everything emptiness behind their effective façade. I don’t think that there are worse photography works or authors, I’ve seen that in many talented photo works that emerging photographers are doing and many renowned masters. However if you ask me about the tendency – it’s like that. That’s why to me personally it does not matter much how exactly the picture was taken, in which genre, whether it’s effective (impressive) in its look or not, how it was edited. What is important to me first of all is what it represents, what stands BEHIND the photo image and photographer.

Q 6:  Do you like working in projects or prefer shoot by shoot (a variety of genres)?

Sometime I take one shot after another and feel that there is something uniting them, then through years of work they get assembled into a common picture like a mosaic.

At other times I have a particular vision on a notion or event, and in that case I am looking for a visual language trying to take pictures in various genres.

- you have some great non-tango reportage pictures, for example the militia people on the Red Square and others… Did you do them spontaneously or was it an assignment / part of some project?

The pictures you mentioned, as well as tango photography, and other projects devoted to hip-hop culture and rock dance – all those series are like pieces of mosaic to me. They gradually help me build the picture of the city, the way I feel it.

Q 7:  Do you ever take part in photo competitions?  What is your attitude towards competitions?

Yes, when I studied photography I took part in competitions a couple of times. That helped me to realize their uselessness and I stopped applying. I am not competing with anyone and I am not a swimmer or runner. Photo competitions is for me as absurd as tango competitions.

Q 8:  Can you tell a bit more about the impressionistic series which you made? (the one you have on the English version of your website).
This project is the most important and most personal to me. I’ve been working on it for 6 years already. It started spontaneously, there were a few shots which kind of appeared as answers to the questions I asked to the world around. I am just taking part in creating those images and  very glad to feel that relation, connection. I bring those images from various parts of the world – Portugal, Carelia, from Altai mountains and Nepal, from Brittany and Crimea, and many many others. The world is much bigger than what we can see. All the world’s harmony is in each of us, in each tree and each stone. I am happy that working on those images helps me not only feel all that but even also share with others.

- There was one other video clip with a psychodelic feel “The Bulgarian Voices Angelite – Wave”, can you tell something about this slide show?

This video clip was part of the monochrome series “Gwenn ha Du”. It differs a lot from other forest images and was mostly shot in Celtic places in Brittany.  The clip is fully painted, it is not photography.

Hundreds of pictures were painted and assembled into a video. This project is personal and not done on request. Not sure if musicians are aware of that video or not, I did spoke to one of the musicians of “Huun-Huur-Tu” and he did not mind me doing it.

That series was a very difficult project for me, the idea had been growing inside me for a long time and later after I created the photo series, I felt something still remained untold. So I added this video to the project. That composition for me is an audio reincarnation of what I felt in those places.
Q 9:  A while ago on your website I’ve seen a few experimental pictures done by your daughter. Can you tell us a few words about those images?
These pictures look the way they were painted actually, no editing in photoshop was involved. I put my daughter at desk and gave her a plane table (she was 8 years old at that time), put some music and suggested that she can paint something. She was dragging the brush around spontaneously and I would change the music and save the result discreetly. We repeated that experience a few times however as soon as spontaneity was gone these images disappeared and ordinary children’s pictures appeared – grass, butterflies, horses. For me personally it was an important confirmation that the way I chose for my personal spontaneous projects was the right direction.

Q 10:  What do you think can help a beginner photographer to develop and find his/her personal style?

Don’t know really, I’ve never tried to develop my style. I think that if a photographer has something to say and if he/she is trying to speak with images honestly without copying others – that can be his/her own unique style.
Q 11:   What equipment are you using (if you don’t mind sharing that information) and what are your favorite lenses? Do you prefer working with natural light or enjoy using studio  / on-location lighting as well?

Depending on the project I use different lighting. I used to use Canon DSLRs for taking pictures with tango (have changed a few cameras throughout years), wide angle lenses, always working with available light. For street dance shoots direct flash light always comes in handy. Free forest project was shot with a variety of lenses including monocle and pinhole ones. During the last years, I have been shooting on mirrorless cameras by Fujifilm gradually letting go of DSLRs when doing urban photography.

Q 12:  Is photography your main occupation or do you specialize in something else as well?

Apart from working as a professional photographer, I teach at the Moscow Academy of Photography where used to study myself. My course is devoted to digital manipulation (editing) of photo images, and for the last 9 years it has helped photographers learn how to edit photo shoots efficiently, arrange and optimize the workflow.

Q 13:  What are you doing in free time? Any hobbies?

I try to spend time in the nature, I am fond of mountain and forest tracking. I read, listen to the music, go to the lectures on history of culture and art. However, photography is still my main hobby.
Q 14:  - When did Argentine tango came into your life? How long have you been dancing tango and what inspired you to try it?  When was the first time you realized that this dance can be something special for you (started enjoying tango :)?

I discovered tango in 2004 thanks to a friend of mine, also a photographer, who used to dance tango. I once saw a few couples circling around the embankment of Moscow river under the sunset light, and fell in love with that dance at first sight. Tango strongly influenced my life. It turned it around, opened new horizons and allowed to understand a lot about myself, people and the world around. I took a lot of classes, went to milongas and for two years dropped photography completely – tango was absolutely everything for me at that time. Then I tried to render the expressiveness of that dance in pictures, looking for various solutions to reflect what I feel in the dance.
- Are you still dancing tango?

Lately I’ve rarely been to milongas, and if I do go, I prefer taking pictures.

Q 15:  Is (was) it hard to combine taking pictures at tango events and dancing? How do you usually balance work and leisure?

At some point I realized that it’s better to devote yourself to one thing. My inner photographer usually wins over the dancer in me.

Q 16:   What was the most unforgettable tango you experienced and where was it?

It’s too personal to speak about it :).

Q 17:  What would you recommend aspiring photographers? 

Listen to yourself and look at the world around. 

Q 18: Is there any photographer you would like to learn from (intern with)? 

People who I would like to learn from are not photographers. 

Q 19:  What are your favorite pictures of your own work?  

The one that is not taken yet. 

 Q 20:  your plans for 2013?...  If you could work on any project anywhere you want, what would it be? 

As the famous saying reads – “a true way to make God laugh is to tell him about your plans”. 

If I could work on that project now, I would go where I was a month ago – the mountains of Nepal.



Blitz questions: 

- favorite tango music:  valses :) 
- tango DJs:  Felix Picherna 
- non-tango music:  celtic music, word music, mantras 
- color?  255/255/255 
- what is your favorite flower?  My daughter :) 
- favorite dish / food  - seafood 
- which animal would you like to be if you were an animal in your next life?   
I am hoping that in my next life I will stay a human being [Symbol]  
- what dance would you dance if not tango? -  Uprock! 
- what is your favorite film?  - 2001: A Space Odyssey  
- what Russian films would you recommend watching?  “Stalker” by Andrei Tarkovsky 
- book you recommend to read:  Wassily Kandinsky “Concerning the Spiritual in Art” 
- what place would you choose for a romantic trip?  Sintra, Portugal 
- what place would you live if you could live anywhere?  Anywhere 
- favorite non-tango place in Moscow  which you would show your friend (except your home)?  
  Gorky Park 
- if you had a chance to bring time back what would you do differently in your life? 
  If I changed something I would not be who I am. 
- Who would you like to say “thank you” to?   To all human beings 
- Your  motto:  Do what must and come what may 

- Anything else you would like to say to the TangoDancers Blog’s readers? 
Be happy, dear everyone! Thank you!
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© Tango Dancers Blog


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Tango Libre - the Movie

6/12/2013

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"Tango Libre", a feature drama directed by Frédéric Fonteyne  (Belgium, 2012) featuring Mariano "Chicho" Frumboli is in the program of many film festivals this season. There are different reviews on the film, yet many tango dancers are already enjoying it. Hopefully soon we will see it in Canada as well! *

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Synopsis:  "A prison guard is attracted to a woman at his weekly tango class. They meet again when she visits her husband in the prison where he works and he is drawn into her complicated romantic life. Meanwhile the prisoners are learning the tango."  (IMDB.com)
A few reviews and a reportage from Venice Film Festival.
Interview with actors in French (link).
Another interview with the director.
Flashmob in Brussels :) (link).

See below a tango scene with Mariano "Chicho" Frumboli.

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Conversations on Tango - Delicate Strength

5/27/2013

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By chance just found these "Conversations on Tango" by the "Delicate Strength" blog, recorded at the Tango Element Baltimore 2011.

Sebastian Arce & Mariana Montes, Mariano Chicho Frumboli & Juana Sepulveda, Aoniken Quiroga & Alejandra Mantinan, Martin Maldonado & Maurizio Ghella,  Lucas Molina Gazcon & Cecilia Piccini are sharing (1) what attracts them in the person they ask to dance, what is tango, (2) what makes a good dance, (3) who inspires their tango, (4) what other art besides tango inspires them, as well as they will answer a few "rapid fire" questions (5-10) in Part 3 video.

Enjoy!
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Buenos Aires by "Dancing Planet" 

5/25/2013

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A charming TV issue in Russian by the Dancing Planet devoted to Buenos Aires, Argentina and tango. Author and host: Alexander Pukhov. (Russian TV "Moya Planeta") *** Wish they had English subtitles! It's really fun to watch.
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Oh , Those Vinyls!

5/19/2013

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(Tatiana Balashova for the TangoDancersBlog)

... Who hasn't admired vinyl records at some point of your life?.. I remember how we, kids (me and my (girl)friends) were dancing after school to the oldies hits recorded on enigmatic vinyls, I especially was fascinated with the small half-transparent light blue ones, they were very thin and flexible... We did not know tango at that time and it was mostly pop and rock repertoire, one of such vinyls had a song that really sticks in memory. It was the legendary "Daddy Cool" by "Bonny M" which we actually used to sing with the 2nd line as "Varvara zhureet koor" (aka. in Russian "Варвара жарит кур" which means "Varvara is frying chickens" :). And I swear in Russian it's really what we hear even now!!.. (it's really hard to understand that line in English!!)...  So of course that song people knew in Russia more as the "Varvara is frying chickens" song and not as "Daddy Cool" :). Plus it can also be more fun and easier to sing something in your native language, right?

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Anyways, I guess there are funny stories like that in any country. I am glad that I grew up with vinyls, and then we used tapes, spent recording classical and pop-rock music from one tape to another, sharing with each other, or trying to catch it on time from a radio (especially some classical music I've heard in such a way)... When you had to wake up very early to go to a weekend music market to treasure hunt and secretly spend much more than needed there!!... to find some favorite cds or discover something new...

In our days there are still some Tango DJs are working with vinyl records which is amazing (I hope their efforts are worth it all). And now more and more people are actually collecting vinyl records, indulging in the music gourmet experience on cosy evenings...

Anyways, time flies, we are in a different age now and yet let's learn how what it actually takes to make a vinyl record.
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(Impressions)  Bajofondo: Secret Mission

4/10/2013

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TangoDancers Blog will be publishing occasional reviews on tango, music and cultural events.  Every review article will express subjective impressions. We respect both efforts of artists/organizers and opinions of writers/ participants.
------------------------------------------------------------------
Intro
Bajofondo, formerly known as Bajofondo Tango Club, is an Argentine-Uruguayan tango fusion collective led by Grammy-winning producer Gustavo Santaolalla. Bajofondo fuses acoustic tango with electronic music in a contemporary style representative of the Rio de la Plata music scene in the 21st century. Bajofondo is touring 78 cities in the U.S. this year--including D.C.'s infamous 9:30 Club--to promote it's newest album, Presente.


BAJOFONDO - SECRET MISSION

Jessica Zappia for Tango Dancers Blog
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photo: Jessica Zappia
Bajofondo  leader, Gustavo Santaolalla, spoke only once during the hour and a half concert in Washington, D.C. He introduced no band members, mentioned no names, and gave no thanks. He simply announced that in the city of secrets, Bajofondo has a not-so-secret mission – “to dance!” This of course made me and my fellow tangueros shout in approval. But there were others shouting for glee as well, because while only ten percent of the audience danced the tango, everyone can dance to Bajofondo. I admit that as a tanguera, I was oblivious to the presence of non-tango dancers at the 9:30 Club venue. However, the reality is that Bajofondo has survived on its non-tango fan base. The band even acknowledged its non-tango audience by changing its name from Bajofondo Tango Club to Bajofondo in 2008. And judging by the sounds of the newest album, the band will continue to appeal to a diverse fan base.
Over a third of the 21 songs from the DC concert were from the much-anticipated new Presente album. While critiqued as less “danceable” by local tangueros, this new album is a sign that Bajofondo is exploring, changing, and growing. No band can survive without evolving at least a little bit. This current evolution reminds me of rock music in a very electronica kind of way. More lyrics, and more sequences/djsets. Not surprising for an award winning Latin rock producer and film composer like Gustavo Santaolalla.

But beyond Santaolalla, on the stage, Bandoneonista Martin Ferres has always been the rock star and center of attention. He plays his instrument as both a musical and theatrical tool. He hops up and down on his right leg, so much so that you can see a noticeable difference in his left and right calf muscles through his skinny jeans. But Presente highlights the other members of the band in a fun way, through instrument swaps and vocals. Particular highlights from Presente included drummer Adrian Sosa doing vocals while violinist Javier Casalla covered the drums on Cuesta Arriba. The surprising role switch captivated me. I seemed to pay more attention to them now that they were playing “foreign” instruments.

On Olvidate, video jockey Veronica Loza projected the lyrics on the screen behind the band. Genius. This resulted in a full 9:30 Club sing along. Not a very tango-like approach, but very rock band-esque. And I loved it. In fact, many of the Presente album choruses were easy sing-alongs, winning my concert affection as I swayed and sang along. As if that weren’t enough, the lighting crew and Veronica created a stormy wet ambience to soak us in the song Lluvia and immerse us in the new album.

Exploring, changing, growing – I’m a fan. I’m along for the ride. But this is my confession as a tanguera: my favorite song on the new album is La Trufa y El Sifon, the song that probably most resembles their previous albums. I understand the need to evolve, but I sincerely hope that tango will continue to be a strong and present influence in future albums. Ultimately, whatever strange and wonderful influences drove the creation of Presente, Bajofondo accomplished its mission: TO DANCE.

© Jessica Zappia / Tango Dancers Blog
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Tango Basics - Embrace & Posture - Part 1

3/31/2013

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How important is embrace and posture for enjoying dancing Argentine tango? Most dancers will agree that it's one of the first key elements to master.
Here is a video class from Sebastian Arce & Mariana Monte.
... and also see below an article on posture from the Tango Breath blog.

If you know some great videos and articles regarding this topic and other basics of tango, feel free to drop us a message or recommend in the comment to the relevant post. Thank you & enjoy your dance!
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